Alison Goldfrapp was next on the roster for the wanna-be's in a few weeks but this bytch really fuck'd up so now is the time. This one is really nothing. Nothing. A few good songs a great rock star does not make. Thank god the interviewer lets her have it back and she gives that typical common safe response - backtracker bytch EXPOSED!
Have u ever heard Madonna's 'Like It Or Not' from 'Confessions on A Dancefloor'? It was her attempt at making a Goldfrapp record.
'Black Cherry' Godlfrapp to be specific.
Alison Goldfrapp : 'Never heard it, that song. I couldn't care less what she or whoever does. Madonna is always copying other people's work. yuck.'
Well you guys are quite good at it yourself : 'Ooh La La' was a T-Rex ripp-off. 'Cologne Cerrone Houdini' could have been any Gainsbourg song
on 'Histoire de Melody Nelson'. And those are just two examples.
Alison Goldfrapp : 'We have a perfectly legitimate post-modern explanation for that. Those songs are an Hommage! We steal like magpies but we pay tribute to our heroes at any chance we get, in interviews etc.. . Everyone should know by now that Marc Bolan was my idol growing up. But we'll never be caught following the latest trend or collaborating with the hottest Dj's and producers just to get their names on our record sleeves. That's not our style.
Is she kidding?
---
www.Goldfrapp.com
And why do these bytches, like Shirley Manson, latch on to the safely cool and passé Debbie Harry when they're the biggest Madonna Wanna's? Is it because they consider Debbie Harry the living dead and completely threatless? Debbie should tell them to fuck off.
Have u ever heard Madonna's 'Like It Or Not' from 'Confessions on A Dancefloor'? It was her attempt at making a Goldfrapp record.
'Black Cherry' Godlfrapp to be specific.
Alison Goldfrapp : 'Never heard it, that song. I couldn't care less what she or whoever does. Madonna is always copying other people's work. yuck.'
Well you guys are quite good at it yourself : 'Ooh La La' was a T-Rex ripp-off. 'Cologne Cerrone Houdini' could have been any Gainsbourg song
on 'Histoire de Melody Nelson'. And those are just two examples.
Alison Goldfrapp : 'We have a perfectly legitimate post-modern explanation for that. Those songs are an Hommage! We steal like magpies but we pay tribute to our heroes at any chance we get, in interviews etc.. . Everyone should know by now that Marc Bolan was my idol growing up. But we'll never be caught following the latest trend or collaborating with the hottest Dj's and producers just to get their names on our record sleeves. That's not our style.
Is she kidding?
---
www.Goldfrapp.com
And why do these bytches, like Shirley Manson, latch on to the safely cool and passé Debbie Harry when they're the biggest Madonna Wanna's? Is it because they consider Debbie Harry the living dead and completely threatless? Debbie should tell them to fuck off.
^
look at Miss Cool, Madonna Wanna, royally fuck up on Italian television. Love Love Love the Italian host: "what happened?" Haha!
